There are 18th-century maps outlining the ghettos of Rome, Ancona and Ferrara, depicting where Jews could live in pink or yellow and where they were allowed to keep businesses in blue. The display includes documents about the church's restrictions on the movement of Jews, instructions for persecuting Protestants-including by hanging-and the "correction" of a Crucifixion drawing that removes blood spurting from the knees of Jesus. Rather, the 60 items on show for free to the public show just how much control the church exerted over the daily lives of medieval Europeans. The "rare and precious" artifacts do not include notorious objects like racks or impaling tools. Not only does the church have an obligation to expose its own mistakes, he says, but the exhibit is also meant to help foster understanding of the complex nature of the church's history. The exhibit is also intended as a modern-day object lesson for governments and armies-particularly those in the United States and Europe-who torture enemies and suspected terrorists, says curator Marco Pizzo. Church authorities have unveiled a temporary "Rare and Precious" exhibition at Rome's Vittoriano Museum to "expose some myths" about this dark chapter of its past. Now, after centuries of secrecy on the subject, the Vatican has launched a new phase in its campaign to show that the Inquisition wasn't so bad after all. Often, the best that the condemned could hope for was that they'd be strangled before being set alight at the stake. Its judges condemned Galileo for saying that the Earth revolved around the Sun and executed thousands over the course of several centuries. Its tribunals, set up by the Vatican to ensure that "heretics" did not undermine the authority of the increasingly powerful Roman Catholic Church, burned and tortured witches, blasphemers and members of other faiths. Back in the Middle Ages, the Inquisition was a byword for fear and terror in Europe.
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